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Sculptural Forms and Installation Processes  Studio Project 2

 More, more, more – my eccentric archive  20%

• collection of 100 of the same objects as the starting point for a sculptural artwork
• cut, join, assemble, draw, photograph, or film your collection as a means of generating artwork, in fact almost anything is permissible. 
• explore display, repetition, association. 

Part One – 30 words describing 

 scale, surface, history, emotion, function, colour, and use this as a starting point for how you can begin to develop your ideas

Part Two – arrange your collection in as many ways possible

 Document these arrangements, either through drawing or photography, and put in your studio diary. 

at least 12 different arrangements.  

Part Three- Add either string or sticks or sticky tape or blutac or the main material that your collection is made from, to your collection.  In at least 3 different ways. 

 It’s all about investigation that informs the next stage of the process!

Part Four – For this final work you must use all of your collection plus one other material or item of your choice.  You are asked to work with these elements and present an artwork that draws attention to the intrinsic qualities of your collection 

Artists to research include             Tom Friedman, Christian Boltanski, Annette Messager, Simryn Gill, Donna Marcus, Allan McCollum

Assessment criteria

·         Originality and breadth of investigation

·         Development of ideas (inc. documentation of all arrangements of collection/stages of the work process)

·         Quality of related research

·         Overall resolution of ideas